Germany before before Handel Handel 306 306 Germany STYLES: HANDEL HANDEL STYLES: The State State of of Secular Secular Vocal Vocal Music Music in in The Handel: German German Apprentice Apprentice Period Period Handel:
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The Bd-Canto Style The Chamber Cantata: Luigi Rossi and Carissimi viiĬontents The Oratorio: Carissimi and Stradella The Venetian Opera School Instrumental Music: the Bologna SchoolĬhapter Five FRENCH MUSIC UNDER THE ABSOLUTISM The Ballet de Caurįrench Reactions to Italian Opera ComMie-Ballet and TragMie Lyrique: Lully Cantata, Oratorio, and Church Music Lute Miniatures and Keyboard Music: Gaultier and Chambon164 nieres Music in the Iberian Peninsula, New Spain, and Colonial 174 AmericaĬhapter Six ENGLISH MUSIC DURING THE COMMONWEALTH AND RESTORATION The Masque and the English Opera: Lawes and Blow Consort Music: Jenkins and Simpson Anglican Church Music: Porter, Humfrey, and Blow Henry Purcel~ the Restoration GeniusĬhapter Seven LATE BAROQUE: LUXURIANT COUNTERPOINT AND CONCERTO STYLE 219 The Culmination of Late Baroque Music in Italy 219 The Rise of Tonality 219 Concerto Grosso and Solo Concerto Ensemble Sonata and Solo Sonata Opera Sma and Opera BuDa-Cantata and Sacred Music Late Baroque and Rococo Style in France Ensemble and Clavecin Music Opera and Cantata in FranceĬhapter Eight FUSION OF NATIONAL STYLES: BACH 260 The State of Instrumental Music in Germany before Bach 260 The State of Protestant Church Music before Bach 268 Bach: The Early Period 270 Bach the Organist: Weimar Bach the Mentor: COthenīach the the Cantor: Cantor: Leipzig Leipzig Bachīach, the the Past Past Master Master Bach,ĬOORDINATION OF OF NATIONAL NATIONAL COORDINATION The Netherlands School and Its English Background English Antecedents: the Abstract Instrumental Style The Netherlands: Sweelinck Germany and Austria in the 17th Century Chorale and Devotional Song Chorale Motet and Chorale Concertato: Schein The Dramatic Conc~ato: Schutz Continuo Lied, Opera, and Oratorio Instrumental Music: Scheidt, Froberger. Three EARLY AND MIDDLE BAROQUE IN THE NORTHERN COUNTRIES The Beginnings of the Conc~ato Style: Gabrieli The Monody: Peri and Caccini Transformation of the Madrigal: Monteverdi The Influence of the Dance on Vocal Music Emancipation of Instrumental Music: Frescobaldi The Rise of the Opera: Monteverdi Tradition and Progress in Sacred Music Chap~ PlUNTED IN THE UNITED STATES OF AMElUCA POR THE PUBLISHERS BY THE VAIL-BALLOU PRESSĪNDRE PIRRO (z869- z943) A Pioneer of Baroque Musicĭisintegration of Stylistic Unity Stylistic Comparison between Renaissance and Baroque Music The Phases of Baroque Music Chap~
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BUKOFZER PllOPESSOll OP MUSIC, THE UNIVERSITY OP CALIFOllNIA